oliveira's three monumental sculptures are made from recycled plywood, bark, and papier-mâché.

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from submerged terracotta roofs to chanting oysters, the artworks create new meeting points across the city while speaking to ideas of global significance.

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designboom spoke with henrique oliveira about art as a 'free zone' of human knowledge, social media as a factory of anxieties, and the best moment of the day.

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inside the lobby of the park MGM, the brazilian artist has stretched an enormous artwork across the ceiling, welcoming visitors and guests to the hotel.

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transarquitetonica wraps through the gallery space as a cavernous and vast maze of wooden material, which can be entered and experienced by the visitor.

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the walk-in, tactile structure built from tapume wood sticks recycled from the brazilian urban landscape temporarily transports the visitor to a realm independent of the gallery walls.

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a dizzying circuit of organic material is integrated into the architecture of the palais de tokyo.

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in oliveira's work he uses the visual and tactile qualities of wood that has
been exposed to the elements, and though he incorporates new, flexible plywood
into his work, his primary material remains the discarded wood collected
on the streets of sao paulo.

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brazilian artist henrique oliveira's first solo exhibition in the united states, will open at rice art gallery on march 26, 2009.

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